Awareness in Discovery

Awareness in Discovery was designed in the Tech-
nology for Design II Studio, under the direction of The
Visual Communication Program Head: Alfred C.
Sanft and Program Coordinator: Andrew Weed. The Program
Book is a staple project in the program, it combines
strong Typography and layout design with hand craft skills.
Lin has decided to name the book “Awareness in
Discovery” because the following volumes document the process
of becoming sensitive to the principles of Graphic
Design. Volume I documents second year projects from
the Visual Communication Design program, and II
documents the third. Lin’s system for the book works for
multiple proportion projects, and the Typography in
the book has been treated with immense care. All page
numbers and n dashes have been appropriately
kerned, an active rag for each paragraph/caption has been
made, and the value of the page captions have been
adjusted to keep the live area of all spreads dominant.

The books have 69 signatures (4 nested folios in
each) and 1168 pages. Volumes I and II were kettle
stitched and binded by Lin. For more specific
information about Awareness in Discovery, please refer
to the colophon (found at the end of each volume).

Awareness in Discovery was designed in the Tech-
nology for Design II Studio, under the direction of The
Visual Communication Program Head: Alfred C.
Sanft and Program Coordinator: Andrew Weed. The Program
Book is a staple project in the program, it combines
strong Typography and layout design with hand craft skills.
Lin has decided to name the book “Awareness in
Discovery” because the following volumes document the process
of becoming sensitive to the principles of Graphic
Design. Volume I documents second year projects from
the Visual Communication Design program, and II
documents the third. Lin’s system for the book works for
multiple proportion projects, and the Typography in
the book has been treated with immense care. All page
numbers and n dashes have been appropriately
kerned, an active rag for each paragraph/caption has been
made, and the value of the page captions have been
adjusted to keep the live area of all spreads dominant.

The books have 69 signatures (4 nested folios in
each) and 1168 pages. Volumes I and II were kettle
stitched and binded by Lin. For more specific
information about Awareness in Discovery, please refer
to the colophon (found at the end of each volume).

Awareness in Discovery was designed in the Tech-
nology for Design II Studio, under the direction of The
Visual Communication Program Head: Alfred C.
Sanft and Program Coordinator: Andrew Weed. The Program
Book is a staple project in the program, it combines
strong Typography and layout design with hand craft skills.
Lin has decided to name the book “Awareness in
Discovery” because the following volumes document the process
of becoming sensitive to the principles of Graphic
Design. Volume I documents second year projects from
the Visual Communication Design program, and II
documents the third. Lin’s system for the book works for
multiple proportion projects, and the Typography in
the book has been treated with immense care. All page
numbers and n dashes have been appropriately
kerned, an active rag for each paragraph/caption has been
made, and the value of the page captions have been
adjusted to keep the live area of all spreads dominant.

The books have 69 signatures (4 nested folios in
each) and 1168 pages. Volumes I and II were kettle
stitched and binded by Lin. For more specific
information about Awareness in Discovery, please refer
to the colophon (found at the end of each volume).

Awareness in Discovery was designed in the
Technology for Design II Studio, under the direction
of The Visual Communication Program Head:
Alfred C. Sanft and Program Coordinator: Andrew
Weed. The Program Book is a staple project in
the program, it combines strong Typography and
layout design with hand craft skills. Lin has
decided to name the book “Awareness in Discovery”
because the following volumes document the
process of becoming sensitive to the principles of
Graphic Design. Volume I documents second
year projects from the Visual Communication Design
program, and II documents the third. Lin’s system
for the book works for multiple proportion projects,
and the Typography in the book has been treated
with immense care. All page numbers and n dashes have
been appropriately kerned, an active rag for each
paragraph/caption has been made, and the value of
the page captions have been adjusted to keep the
live area of all spreads dominant.

The books have 69 signatures (4 nested folios in
each) and 1168 pages. Volumes I and II were kettle
stitched and binded by Lin. For more specific
information about Awareness in Discovery, please refer
to the colophon (found at the end of each volume).

Awareness in Discovery was designed in the
Technology for Design II Studio, under the direction
of The Visual Communication Program Head:
Alfred C. Sanft and Program Coordinator: Andrew
Weed. The Program Book is a staple project in
the program, it combines strong Typography and
layout design with hand craft skills. Lin has
decided to name the book “Awareness in Discovery”
because the following volumes document the
process of becoming sensitive to the principles of
Graphic Design. Volume I documents second
year projects from the Visual Communication Design
program, and II documents the third. Lin’s system
for the book works for multiple proportion projects,
and the Typography in the book has been treated
with immense care. All page numbers and n dashes have
been appropriately kerned, an active rag for each
paragraph/caption has been made, and the value of
the page captions have been adjusted to keep the
live area of all spreads dominant.

The books have 69 signatures (4 nested folios in
each) and 1168 pages. Volumes I and II were kettle
stitched and binded by Lin. For more specific
information about Awareness in Discovery, please refer
to the colophon (found at the end of each volume).